New York Film Festival: Frances Ha Ha, or Frances Weird?

Over the next few weeks I’ll be blogging about the 50th New York Film Festival, based on press screenings and films seen during the actual festival (September 28-March 14). In addition to the 33 main slate films, this year’s festival features many interesting sidebars, including a rich selection of episodes from the French TV series “Cinéastes de notre temps.” There are also gala tributes to Nicole Kidman (accompanied by the premiere of her new film “The Paperboy”) and to Richard Pena, who is leaving after 25 years as the head of the festival.

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Noah Baumbach’s exhilarating new film Frances Ha, co-written with and starring Greta Gerwig, is stylistically a love letter to the cinema of early Truffaut and Godard and even ‘70s Woody Allen. The story is ultimately about a deep friendship between two women (played by Gerwig and Mickey Sumner) in their late twenties —actually a rare subject for an American film— as Gerwig pointed out herself during the Q&A immediately following a recent press screening. Gerwig plays the titular character Frances (you don’t learn why it’s called “Frances Ha” until the end), a 27-year-old dancer in New York whose financially poor, but emotionally rich life is turned upside down when her best friend and roommate Sophie (Sumner) moves out of their apartment and in with her yuppie boyfriend. A search for work and cheaper lodging follows; she moves in with two hipster guys (one played by Adam Driver, best known as Lena Dunham’s inattentive lover in “Girls”), flies home for a Christmas trip to Sacramento (Gerwig’s real birthplace), takes a ruinously spontaneous two-day trip to Paris, and endures a stint as a dorm counselor at Barnard College. Read more